This will lower the burden of your GPU so that you get real-time playback. One rather roundabout solution to circumvent this issue is to render out all the footage into a single timeline in a different software (I use Premiere Pro) and then cut the clips back down in Resolve so that the 'end' of the clip is actually just a cut in one bigger video (copy and paste the last clip when editing. It also ensures that what you create in the color suite is consistent when experienced across HDR TVs, PCs, tablets, and mobile devices, as well as legacy SDR. Then change the “Timeline Proxy Mode” to half or quarter resolution from the menu “Playback”. The best option is to optimize the footage to a lower resolution by right-clicking your mkv/mp4 files and selecting “ Generate Optimized Media“. allows you to save time by using the Media Library proxies for offline editing. So naturally, your CPU/GPU is under tremendous load to unpack them (decode) and process them in real-time. Taking advantage of Blackmagic DaVinci Resolve Workflow integration. This is mainly due to the codecs H.264 or H.265 of your mkv or transcoded mp4 file.īoth of them are highly compressed codecs – especially H.265 is more compressed than H.264. You realize that Resolve is struggling to playback the footage smoothly in real-time. Mkv or Mp4 Editing Performance Issues in DaVinci ResolveĪfter making sure DaVinci Resolve can import your mkv file (or transcoded mp4 file), you start editing your footage.
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